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HAGSTROM JAZZ MODEL HJ-500 SEMI-HOLLOW REVIEW
Electric Guitar by 'Hagstrom'
Jazz Model HJ-500 Semi-Hollow is a guitar made by Hagstrom, a manufacturer that brought us many good guitars. This one is no exception. It's a good instrument that will not let you down. A good balanced price gives this instrument a bright future.
Contoured north american maple body
North american hard maple set neck
Resinator with hagstrom pearl block position marks fingerboard fretboard
Hagstrom 18 tuning keys
pickups: 24.75" scale length
2x volume / 2x tone controls
This guitar is fitted with all the features you could possibly wish for, for a playing style that goes with this kind of instrument. Carefully chosen features leave a little to nothing to be wished for, which makes Hagstrom's Jazz Model HJ-500 Semi-Hollow an extremely well featured guitar with which you'll be thoroughly pleased. Highest grades for Jazz Model HJ-500 Semi-Hollow's features!
If you try playing Jazz Model HJ-500 Semi-Hollow after an average guitar, it becomes obvious that Hagstrom deserves to be proud for making it sounds so beautifully. It delivers great tone when plugged in to most amps and, versatile as it is, it will allow you to find your own tone that you will be proud of as well. Hagstrom's Jazz Model HJ-500 Semi-Hollow is surely a world class sounding instrument.
Another reliable model from Hagstrom brings us a guitar that handles well and plays well. Finish doesn't feel bad at all, and the hardware is good. It stays in tune most of the time, so if you take the time to adjust the action & pickups the way you want them, you will feel comfortable while playing Jazz Model HJ-500 Semi-Hollow.
Playing live, Jazz Model HJ-500 Semi-Hollow will perform well and will not let you down. It is fairly reliable instrument both in studio and on stage, and will be a long term companion, as it is built to last. Hagstrom has made a solid instrument that you will be happy with, and can depend on right from the start. Needs no backup as it has proven to be built really well.


